This is goin to rock!
Like Father, Like Son : NYC
Eriberto and Estevan Oriol
Carmichael Gallery NY Pop Up
@ chashama, 303 Tenth Ave
New York, NY 10001
November 8 – November 24, 2012
Opening Reception: Thursday, November 8, 6–8pm
Carmichael Gallery is pleased to announce Like Father, Like Son : NYC, a retrospective survey of works by renowned Los Angeles-based Chicano father and son photographers, Eriberto and Estevan Oriol. The exhibition debuted at Carmichael Gallery’s Culver City space in the fall of 2011. The New York edition of Like Father, Like Son : NYC will comprise fifteen limited edition black and white, color, silver gelatin and digital c-prints from each photographer, including works exhibited in Art in the Streets (April 17 – August 11, 2011) at The Museum of Contemporary Art, Los Angeles (MOCA). The exhibition, which offers a dramatic taste of the urban California lifestyle, marks the first showing of the Oriols’ work side by side on the US east coast.
There will be an opening reception for Like Father, Like Son : NYC on November 8, from 6 to 8pm at 303 Tenth Ave in Chelsea. Both Eriberto and Estevan Oriol will be in attendance. The exhibition will run through November 24, 2012.
Whilst often distinguished by a complex melange of memory, emotion and intimacy that can manifest itself in equally terrifying and wonderful forms, the relationship between a parent and his or her child is a particularly unique human exchange and can hardly be defined in generalized terms. For Eriberto and Estevan Oriol, who are often cited as two of the most important contemporary documentarians of urban, hip hop, lowrider and Latino culture, the deep familial tie they share extends into and only serves to empower the unique nature of their professional relationship and the intense puissance of their work. Whether viewed together or apart, the Oriols’ photography presents the multitudinous contours of Los Angeles and urban life through a piercing, visionary lens that lends a fascinating, almost hyperreal layer to the earthy, often confrontational authenticity of their subject matter.
Perhaps one of the most interesting aspects of the Oriols’ oeuvre to date when considered as a whole, as in Like Father, Like Son : NYC, is its ability to complement and contrast the talents and purports of each photographer. Both are long-time observers of city life and the experiences of its inhabitants; Eriberto, whose understanding of shape, line and shadow are key features of works such as LA Financial District, 2011, The Thinker, 1974, and Need A Helping Hand, 2000, which define with gut-wrenching elegance the struggle and strength of the poor and homeless in Downtown Los Angeles and San Diego, form an effective and deeply affecting concordance with Estevan’s depictions of these communities, who, in works such as Skid Row Body Bag, 2009, Chestnut Family, 1998, and Pepper’s Shopping Cart, 2011, combines brutal honesty with rich sagacity to uncover a subtle, fleeting beauty that might otherwise have disappeared unnoticed.
Other series represented in Like Father, Like Son : NYC include the photographers’ varied and illuminating portrayals of LA’s lowrider culture, dramatized to distinction in Eriberto’s color photograph Las Vegas Lifestyle Car , 2004, and the city’s gang life, exposed in a singularly vulnerable light in Estevan’s Bullet Holes and Stab Wounds, 2002, and Shaving the Dome, 2008. In addition to these and Estevan’s portraits of celebrities, including Dr. Dre, Ice Cube and Dennis Hopper, both Oriols will present a selection of their exquisite, oft-touted photographs of LA women, from Eriberto’s Traffic Jam 110 FWY, 2011, to Estevan’s Erlinda, 2003.
About the Artists:
Born in Indio, CA, Eriberto Oriol grew up in the San Diego neighborhood of Barrio Logan before relocating to Los Angeles, his home now for over three decades. In addition to expanding his internationally recognized portfolio of photographs of LA Latino street life, street art and graffiti, a talent he would later pass down to son Estevan, he and wife Angelica Gonzalez-Oriol are enthusiastic, proactive supporters of the local art scene, which led them to curate the first major exhibition of graffiti art in Los Angeles in 1989. In addition to the recognition the Oriols received from the Los Angeles City Council for the show’s contribution to the community and the praise from numerous media outlets, The Museum of Contemporary Art, Los Angeles acquired a featured artwork for its permanent collection.
Select galleries that have exhibited Eriberto’s work to date include Carmichael Gallery, Los Angeles, Chinese American Museum of Los Angeles, Crewest Gallery, Los Angeles and Anno Domini, San Jose, while commercial projects have ranged from work for the NBA, Nike, Vans and T Mobil to Jokerbrand, LA Metro, Altamont Apparel and Warner Bros. In addition to featuring in Los Angeles: Portrait of a City (Kevin Starr, David L. Ulin, Jim Heimann, TASCHEN Books, 2009), Eriberto and his work have been profiled in The Los Angeles Times, LA Weekly, Daily Telegraph, Downtown News – Los Angeles, Vogue Australia, Mass Appeal, tasj magazine, Swindle, Thrasher, Hypebeast, Rebel Ink, Juxtapoz, Oversight, Warp, Scratch, Rime, Fader Magazine, TCLY (thecitylovesyou.com), Format Magazine and Freshness Mag, amongst numerous other national and international print and online media outlets. He currently lives and works in Los Angeles.
From hip-hop club bouncer to tour manager for Cypress Hill and House of Pain in the late 1980s and early 1990s to the internationally celebrated professional photographer, director and urban lifestyle entrepreneur he is recognized as today, Estevan Oriol’s talent, fame and success only continue to grow. 1992 saw the beginning of what quickly grew to be an influential relationship with best friend, fellow Soul Assassin associate and now world-famous tattoo artist, Mister Cartoon. Together, they created the increasingly lucrative and high-profile Joker Brand Clothing, just one of Estevan’s ventures in the clothing industry, which range from Not Guilty, produced with Everlast, and his solo line Scandalous to his eponymous line with Upper Playground. In 1995, however, Eriberto gave his son a camera, and what began as a means of capturing life on tour led to a career that has snapped up images of everyone from gang members and graffiti artists to hip hop stars and Hollywood celebrities.
Select galleries and institutions that have exhibited Estevan’s work include Rivera Gallery, Los Angeles, Carmichael Gallery, Los Angeles, FIFTY24SF, San Francisco, FIFTY24PDX, Portland, Lab 101, Los Angeles and The Museum of Contemporary Art, Los Angeles, in whose highly acclaimed, controversial blockbuster exhibition Art In The Streets his work contributed an integral depiction of Los Angeles’ part in the worldwide evolution of graffiti, street art, skater, tattoo and related countercultures. In 2009, Italian print house Drago published LA Woman, a 112 page, hardback book that celebrates a decade of Estevan’s provocative, sensitive and alluring documentation of the city’s less-photographed female population.
Highly sought-after for both high-profile commercial projects and private commissions, celebrities photographed by Estevan include Xzibit, 50 Cent, Kim Kardashian, Robert De Niro, Al Pacino, Dennis Hopper, Mena Suvari, Dr. Dre, Blink 182, Eminem, Adrien Brody, Forrest Whittaker and Juliette Lewis. In addition to shooting campaigns for companies such as Cadillac, Nike and Rockford Fosgate and directing new media projects for My Cadillac Stories, MTV and Apple Computer, he has designed album covers and/or directed music videos for artists such as Eminem, Cypress Hill, Blink 182, Snoop Dogg and Tech N9ne.
Estevan and his work have been profiled in Rolling Stone, Complex, FHM, GQ, Details, Vibe, The Fader, Mass Appeal, Hypebeast, Juxtapoz, High Snobiety, Daily du Jour, Fecal Face, Risen Magazine, Acclaim Magazine, tasj magazine and The Source, amongst numerous other national and international print and online media outlets. He currently lives and works in Los Angeles.